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| Amber 2008, acrylic on canvas | ||||||||||||
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William Betts explores the sociological and philosophical implications of surveillance in contemporary society with this series of paintings that are based on found and staged surveillance and come from a variety of sources. With few specific visual clues other than the time stamp, the work relies on a unique perspective and presents ambiguity and anonymity as its subject to draw the viewer into a vague and questioning environment.
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